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	<title>S.G. Browne &#187; Hemingway</title>
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		<title>U is for Ulysses</title>
		<link>http://sgbrowne.com/2009/07/u-is-for-ulysses/</link>
		<comments>http://sgbrowne.com/2009/07/u-is-for-ulysses/#comments</comments>
		<pubDate>Fri, 17 Jul 2009 13:05:15 +0000</pubDate>
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				<category><![CDATA[Breathers]]></category>
		<category><![CDATA[The Writing Life]]></category>
		<category><![CDATA[Hemingway]]></category>
		<category><![CDATA[Ulysses]]></category>
		<category><![CDATA[Zombies]]></category>

		<guid isPermaLink="false">http://sg.erikfrick.com/?p=168</guid>
		<description><![CDATA[Yes, originally I said this post was going to be U is for Undead.  But Z is for Zombies, like that&#8217;s a big surprise, and it seemed kind of silly to preempt zombies with the undead, so I tried to come up with something else and, well, this was it. Why Ulysses?  Because I have [...]]]></description>
			<content:encoded><![CDATA[<p>Yes, originally I said this post was going to be U is for Undead.  But Z is for Zombies, like that&#8217;s a big surprise, and it seemed kind of silly to preempt zombies with the undead, so I tried to come up with something else and, well, this was it.</p>
<p>Why <em>Ulysses</em>?  Because I have a confession to make.  I&#8217;ve never read it.  I don&#8217;t even know what it&#8217;s about.  And I have never understood any of the obscure references Dennis Miller has made about James Joyce in his stand-up routines.</p>
<p>And it&#8217;s not just James Joyce.  I&#8217;ve never read any Charles Dickens, Oscar Wilde, W. Somerset Maugham, Joseph Conrad, Jane Austen, Henry James, John Milton, H.G. Wells, Sir Arthur Conan Doyle, or William Faulkner.  And I hated <em>Crime and Punishment</em>.  Read it in my Western Lit class in high school.  The crime was that the book was ever written and the punishment was that I had to read it.</p>
<p>Oh, and I think Hemingway sucks.  Yes, he sucks.  His writing blows.  I don&#8217;t know how the man got published.  Yeah, I know.  His writing style had a significant impact on the development of 20th century fiction and his works are considered classic American literature, blah blah blah.</p>
<p>But <em>A Farewell to Arms</em>?  Absolute crap. It&#8217;s filled with run-on sentences, repetitive use of qualifiers (like VERY lame), and frequent stretches of dialogue involving multiple characters with no indication as to who&#8217;s speaking. Plus, the death scene at the end, where Catherine is in the hospital and the main character, Frederic, is trying to comfort her.  I don&#8217;t have the book in front of me, but I seem to recall the dialogue going something like this:</p>
<p>&#8220;I love you,&#8221; he said.  &#8220;I love you.  I love you.  I love you.&#8221;<br />
She smiled weakly.  &#8220;And I love you.&#8221;<br />
&#8220;I love you so much.&#8221;<br />
&#8220;I love you.&#8221;<br />
&#8220;I love you.  I love you.  I love you.&#8221;<br />
&#8220;I love you.&#8221;</p>
<p>And don&#8217;t tell me that&#8217;s how they wrote back in the 1920s.  Fitzgerald&#8217;s <em>The Great Gatsby</em>, published four years prior to <em>A Farewell to Arms</em>, had beautiful language and believable dialogue.  Hemingway is an overrated hack.</p>
<p>So what is this blog entry actually about and what the hell does it have to do with <em>Breathers</em> or zombies?  Nothing.  Except for the fact that I am obviously not a student of literature and have drawn on none of the famous literary giants in my own writing.  Well, except maybe for Fitzgerald.  Though someone wrote a review of <em>Breathers</em> and mentioned something about channeling Faulkner, which is funny since I&#8217;ve never read him, so I have no idea how I channeled the man.<br />
Oh, and I also don&#8217;t know what a gerund is.  Though I&#8217;m pretty sure I know how to use it.</p>
<p>(Next entry: V is for van Gogh&#8230;or maybe Vampires)</p>
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